Description
The most valuable cultural good of this industrious town, from a strictly architectural point of view, is the parish church of Our Lady of the Fuensana. Its origin dates back to the 16th century and its artistic lexicography is Renaissance, although without stylistic elongations or great pretensions as to its proportions or constructive solutions.
Its interior consists of a single floor of drawer - or of what is also known as contender - divided into three ships that hold columns of smooth fuse with docile capitals and poorly decorated eye arches.
Outside, the church has two bodies separated by molding with two leftovers covered by half-point arches. The side facade, which looks at the Fuente de la Negra, is of greater proportions than the side that is located in the perspective with the street of access to the town center.
The most unique element of the church factory is its tower, located laterally in the corner between the two covers. It is not exempt, but integrated into the building, to which it overcomes and adds a third body for bell tower, with holes covered by half-point arches.
